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Best of me.

November 26, 2009

‘You know tonight they say it’s not even going to get dark. Tonight I’m staying alive. Seagulls clatter on the cinema roof, it’s not too bad, And tonight that star doesn’t seem so far. You bring out the best in me, nothing like the rest of the time. You bring out the best in me, so there. Black and white movies make me happy. So would climbing a hill with you this Tuesday. Tonight the colours seem to disobey my eyes. The rules of shape and boundaries forgotten one more time. You bring out the best in me, nothing like the rest of the time. You bring out the best in me, so there. If I could, I’d bottle up the night and give it to you; You could tip it out tomorrow in the day. You know how sometimes the daylight hurts my eyes? We could sell Night to all the day people. You bring out the best in me, nothing like the rest of the time. You bring out the best in me, so there.

-Malcolm Middleton

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Sign of the times.

November 24, 2009

The Times just published their own take on the best 100 pop albums, books and films of the last decade. Here, is the Times’ top fives alongside my own.

What makes your list? Twilight?

The Times Top 5 Pop Albums of the Decade

  1. Kid A, Radiohead (2000)
  2. Back to Black, Amy Winehouse (2006)
  3. In Rainbows, Radiohead (2007)
  4. Speakerboxxx/The Love Below, Outkast (2003)
  5. Blackout, Britney Spears (2007)*

My Top 5 ‘Pop’ Albums of the Decade

  1. Heartbreaker, Ryan Adams (2000)
  2. In Rainbows, Radiohead (2007)
  3. Is this it?, The Strokes (2001)
  4. Optimist LP, Turin Brakes (2001)
  5. The Seldom Seen Kid, Elbow (2008)

[Albums that could easily get in, if you asked me on another day, include: more by Radiohead, more by Ryan Adams, Kanye West, David Kitt and The White Stripes.]

The Times Top 5 Books of the Decade

  1. The Road by Cormac McCarthy (2006)
  2. Persepolis by Marjane Satrapi (2003)
  3. Dreams from My Father: A Story of Race and Inheritance by Barack Obama (2004)
  4. Masterworks of the Classical Haida Mythtellers trans Robert Bringhurst (2002)
  5. Suite Française by Irène Némirovsky (2006)

My Top 5 (though not necessarily great) Books of the Decade

  1. Life of Pi by Yann Martel (2002)
  2. Atonement by Ian McEwan (2001)
  3. The Amber Spyglass by Philip Pullman (2000)
  4. The Road by Cormac McCarthy (2006)
  5. The State of Africa by Martin Meredith (2005)

[Not such a good decade for books; I struggled to think of many more than five books form the noughties that I’ve actually read that are not just junk.  White Teeth, Harry Potter, Constant Gardener...?]

The Times 5 Best Movies of the Decade

  1. Hidden (Cache), 2005
  2. The Bourne Supremacy / The Bourne Ultimatum, 2004, 2007
  3. No Country for Old Men, 2007
  4. Grizzly Man, 2005
  5. Team America: World Police, 2004

The 5 Best Movies of the Decade According to Me

  1. High Fidelity, 2000
  2. Garden State, 2004
  3. No Country for Old Men, 2007
  4. Anchorman: The Legend of Ron Burgundy, 2004
  5. Shaun of the Dead, 2004

[2004-What a year!  Almost, nearly, maybe prizes for Constant Gardner, Traffic, Lost in Translation and a few others-Memento, Amelie...]

*…eh…what? Not sure Britney’s own mum would put her in the top 5.

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City rain, city streets.

November 17, 2009

It started to rain today when I left the office.  I sat on the subway.  The man opposite me wore clothes that didn’t fit.  The air stank; I could taste it.   The shriek of the woman on my right was mercifully drowned out by the drunken strain of the train barrelling into the darkness.   Everyone was looking at nothing, except me.  I was looking at the clothes of the man sat opposite me.

The picture above hangs in the Neus Museum in Nürnberg.  The tenement, viewed from this skewed perspective, towers over, and sufficates the viewer.  I love cities, especially Glasgow, but sometimes, just sometimes…

Playlist: “NOW! That’s what I call morose city music”

Elbow: Any day now

Arab Strap: The First Big Weekend

Ryan Adams: City Rain, City Streets

Mogwai: I’m Jim Morrison, I’m Dead

The Jam: That’s Entertainment

Jesus and the Mary Chain: Just Like Honey

British Sea Power: Carrion

Radiohead: Street Spirit (Fade Out)

Malcolm Middleton: Fuck It, I Love You

 

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Bringing home the bacon.

November 16, 2009

I started work today.  I’m not going to write about that here.  However my getting a job coincides with the release of a new ‘Tales of Mere Existence’ video,  on a related theme.

I think these videos are brilliant, especially this one and this one.  Just don’t expect a punch-line.

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Brother and sister.

November 11, 2009

I went home today and hung out with my skiving sister.  Watch with the sound on.

The creative process was somewhat organic.

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Ten books that have influenced me.

November 10, 2009

Listed in the order in which I read them:

  1. The Bible: “Here I am! I stand at the door and knock.  If anyone hears my voice and opens the door, I will come in and eat with him and he with me.”
  2. Nineteen Eighty-Four, by George Orwell: “For the first time he perceived that if you want to keep a secret you must also hide it from yourself”.
  3. Catch 22, by Joseph Heller: “He had decided to live forever or die in the attempt.”
  4. The Great Divorce, by C.S. Lewis: “Reality is harsh to the feet of shadows.”
  5. The Indispensible Calvin and Hobbes, by Bill Waterson:  “I find my life is a lot easier the lower I keep everyone’s expectations.”
  6. A Grief Observed, by C.S. Lewis: “No one ever told me that grief felt so like fear.”
  7. Mere Christianity, by C.S. Lewis: “A man does not call a line crooked unless he has some idea of a straight line.”
  8. Heart of Darkness, by Joseph Conrad: “The horror!  The horror!”
  9. Lanark, by Alasdair Gray: “I have grown up.  My maps are out of date. The land lies over me now. I cannot move.”
  10. The Cross of Christ, by John Stott: “Who am I?  What is my ‘self?  The answer is I am a Jekyll and Hyde, a mixed up kid, having both dignity, because I was created and have been re-created in the image of God, and depravity because I have a fallen and rebellious nature.  I am both noble and ignoble, beautiful and ugly, good and bad, upright and twisted, image and child of God, and yet sometimes obsequious homage to the devil from whose clutches Christ has rescued me.  My true self is what I am by creation, which Christ came to redeem, and by calling.  My false self is what I am by the fall, which Christ came to destroy.”

[Small Print: Only half of these would make a list of my ten favourite books.  No. 10 gets a long quote because I just finished reading it.  I make no effort to rank the ‘significance of influence’- that would be a frivolous exercise...]

What would make your list?

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Describe a man entering a room.

November 4, 2009

A man entered the room.  He looked tired.  His seat was taken so he leant against the wall, placing the book he carried in the inside pocket of his ill-fitting jacket.  I noticed he had a handkerchief hanging from his breast pocket.

He walked into the room with a practised weariness.  His uneasy gait was that of a man condemned, his head bowed in careful deference to all around him.  His usual seat was occupied, an irritation only betrayed by the slightest tightening of his fist, clenched as it was, around the red-bound book he proceeded to slide into the inside pocket of his jacket, as he leant, awkwardly against the far wall.  I remember the jacket.  It was ill-fitting, sagging over is angular shoulders and in a final mockery, a cotton handkerchief protruded from his breast pocket drooping in silent sympathy.

His slow steps were like the resigned, reluctant shuffle an inmate returning to his cell.  His entrance, far from an intrusion, was accompanied only by the soft exhausted sigh of the door closing behind him.  His stooped head shirked from the others with the wary countenance of a scolded child.  His usual berth, an unremarkable upholstered stool, was occupied by an equally unremarkable man.  Upon noticing this offence, his sinuous fingers, tensed around the book he brandished, his waxy knuckles  flashing white, then waning as he with a sharp adjustment of gangly limbs he concealed the book within the inside pocket of his jacket.  I recall the jacket now with a curious certainty as one has when confronted with a familiar scent.  It was plain enough, clearly well-worn and yet the cut ill-suited the man, seeming to pull his jagged frame toward the floor.  Spindly shoulders offered little for the jacket to cling to, the sleeves hanging apologetically over his cuffs.  His delicate frame propped against the wall, a sparse scaffold, dull and colourless save for the pure-white dash of his handkerchief, a seemingly unnoticed escapee from the confines of the jacket.

He walked into the room with the manner of one shopping in Iceland; a reluctant stride, the very environment draining, sucking the colour from his soul.  He had a face like a bag of spanners and posture that testified to a lack of enthusiasm for yoga.  His demeanour towards the others was like that of a pregnant nun walking through a convent.  I observed his regular perch was currently being perched upon by another.  He regarded this development with the enthusiasm one usually reserves for unanticipated surgical complications, and yet,  constrained his reaction to merest adjustment, tightening his vice like grip around the book-the solitary hint of any wit or breeding-held closely by his side.  I observed him then lower the book into the chasm between the breasts of his jacket; his careful motion was that of a man whom, when posting a letter, feels compelled to immerse his hand  far into the pillar box, as far his anatomy will allow, lest some unseen cavity or snare diverts his missive.  His next move was to lean against the far wall.  This was no relaxed slump; it was as if he doubted the walls capacity (or perhaps enthusiasm) for holding him and was braced accordingly, bristling with unease.  His limbs seemed to have been drawn by a child with a greater aptitude for science than art, crumpled and locked in equally unnatural measures.  I remember his jacket and dwell on it now.  Like a pylon on a hillside it was an ugly addition, bringing to mind images of tailor shops staffed by fools, bullies or animals.  Its sizing was unhelpfully generous like a gallon of cream on slice of pie.  His gaunt craggy shoulders looked to escape skyward from the jacket, whilst the sleeves had spotted something of note on the carpet and stretched towards it.  The tension between the room and the man drowning in his jacket cast a scene of savage blandness punctuated only by a white flag of surrender.  A handkerchief-an unwitting conspirator- cruelly hanging from his treacherous breast pocket.

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Wait over, thank you.

November 3, 2009

Watch with the sound on and  never mention it to my face.

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Born to run.

October 30, 2009

When I was  young I ran for miles,

Chasing footballs and pretty girl smiles.

Teens slope by, all swagger, no hurry,

Ugly cool strut and fearless worry.

Man: works and meets,

He rests then repeats.

Too slow, too fast.

The first, come last.

running

(My Technique: Left foot right foot left foot right left foot right foot [repeat] )

Moving, just keep moving,
Till I don’t know what’s sane,
I’ve been moving so long,
The days all feel the same,

Moving, just keep moving,
Well I don’t know why to stay,
No ties to bind me,
No reasons to remain,

Moving, keep on moving,
Where I feel I’m home again,
And when it’s over,
I’ll see you again.

-Supergrass

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Waiting.

October 28, 2009

I made a big decision a little while ago.
I don’t remember what it was, which prob’ly goes to show
That many times a simple choice can prove to be essential
Even though it often might appear inconsequential.

I must have been distracted when I left my home because
Left or right I’m sure I went. (I wonder which it was!)
Anyway, I never veered: I walked in that direction
Utterly absorbed, it seems, in quiet introspection.

For no reason I can think of, I’ve wandered far astray.
And that is how I got to where I find myself today.

-Bill Waterstone

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His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flow’r.

-William Cowper, 1774